Iain Mott

Iain Mott

Iain Mott is a sound artist, living in Brazil since 2007. He was a visiting professor in the Music Department at the University of Brasilia (UnB) from 2008 to 2011 and a lecturer (professor adjunto) in the area of voice and sound design in the Departamento de Artes Cênicas (theatre arts), UnB from 2012-2024. His sound installations are characterised by high levels of audience participation and novel approaches to interactivity. He has exhibited widely in Australia and at shows including the Ars Electronica Festival in Linz, Emoção Art.ficial in São Paulo and the Dashanzi International Art Festival and Multimedia Art Asia Pacific (MAAP) in Beijing. His most recent installation with Simone Reis O Espelho was exhibited at the Centro Cultural Banco do Brasil (CCBB) in Brasilia in the second half of 2012. Iain has received numerous awards and grants and has successfully managed innovative projects for almost 20 years. His GPS-based project Sound Mapping was awarded an Honorary Mention in the 1998 Prix Ars Electronica. In 2005 he was awarded an Australia China Council Arts Fellowship to work with the Beijing arts company the Long March Project. His work Zhong Shuo was created as part of the fellowship in collaboration with Chinese artists and was given 3rd prize in the UNESCO Digital Art Awards. The project has in addition been selected by MAAP for two further installations in Shanghai and Brisbane in 2006. Iain was artist in residence at the CSIRO Mathematical and Information Sciences in Canberra for 12 months in 1999/2000. The notion of collaboration between artist and audience has ongoing importance in Iain's work. His PhD from the University of Wollongong was supervised by Greg Schiemer and is entitled Sound Installation and Self-listening. 

More information:

Currículo Lattes

Sexta, 25 Setembro 2015 19:43

Squeezebox Audio

Binaural recording. Please use headphones correctly aligned to hear 3D sound.

Sexta, 25 Setembro 2015 19:31

Squeezebox Video

Quinta, 24 Setembro 2015 21:53

Pope's Eye

The composition Pope's Eye by Iain Mott was an outcome of a two week artist residency undertaken by Ros Bandt and Iain Mott in 2004 at the Melbourne Aquarium. Bandt and Mott made hydrophone recordings at the aquarium as well as recordings at Pope's Eye in Port Phillip Bay, Victoria. The aquarium recordings were subject to high levels of noise from the filtration equipment and noise reduction software was used to isolate the marine sounds. The sounds that can be heard in this composition include feeding sounds of marine life (fish and crustaceans), the sounds of fish calls, the sounds of staff divers at the aquarium, a motor boat on the bay and gannets at Pope's Eye. Other than the noise reduction, very little audio processing was applied to the recorded sound. The sounds were simply edited into a narrative form.

Quinta, 24 Setembro 2015 20:57

The Great Call

Quinta, 24 Setembro 2015 19:14

Sound Mapping: Field Recording

Unedited stereo field recording of Sound Mapping at the docks of Sullivan's Cove in Hobart, Tasmania. The players were: Catheryn Gurrin, Jody Kingston, Iain Mott and Jirrah Walker.

Domingo, 20 Setembro 2015 19:37

Close

Please listen with headphones correctly aligned.

Domingo, 20 Setembro 2015 18:41

Music of the Sphere

Binaural recording for headphone listening. Please listen with headphones correctly orientated.

Para ouvir com fones de ouvido. Certifique-se de que os fones estejam orientados corretamente.

Composition by Iain Mott.

Domingo, 13 Setembro 2015 13:53

Detail (1996)

Domingo, 13 Setembro 2015 13:52

Detail

Domingo, 13 Setembro 2015 12:25

The Talking Chair 1996

With Ludger Solbach at the International Computer Music Conference, Hong Kong, 1996.

Pope's Eye

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