Uma visão geral do software ambisônico Mosca. Para ouvir com fones de ouvido.

35mm film photography by Iain Mott. Use the icon the view full-screen and see the downward facing arrow near the bottom left of screen to hide the thumbnails.

Tutorial on using the GUI interface of the Mosca quark for SuperCollider. Please listen with headphones and please view in full-screen mode.

Tutorial on using the GUI interface of the Mosca quark for SuperCollider. Please listen with headphones and please view in full-screen mode.

Para ouvir com fones de ouvido. Certifique-se de que os fones estejam orientados corretamente.

Captura de tela do software de Botanica (2017). O ouvinte é representado pelo ponto cinza central. Os pontos cor-de-rosa são as fontes de som virtuais. Enquanto o ouvinte se move através do jardim, o mapa se move na direção oposta ao seu caminho com o ponto cinza restante no centro. Os pontos cor-de-rosa podem estar estacionários no mapa ou ter suas próprias trajetórias animadas. À medida que o ouvinte se move, as fontes de som se movem em relação ao mapa deslizante. Como sons reais, as fontes de som virtuais tornam-se mais silenciosas com a distância e tornam-se inaudíveis uma vez que passam fora do limite circular do mapa. O software é usado para realizar o mapeamento de sons antes da interação pública e para criar a experiência de som 3D no campo. O software não é visível para os participantes.

Screenshot of Botanica software (2017). The listener is represented by the central grey dot. The pink dots are the virtual sound sources. As the listener moves through the garden, the map moves in the opposite direction to his or her path with the grey dot remaining at the centre. The pink dots may be stationary on the map or may have their own animated trajectories. As the listener moves, the sound sources move relative to the sliding map. Like real sounds, the virtual sound sources become quieter with distance and they become inaudible once they pass outside the circular boundary of the map. The software is used to perform the mapping of sounds in advance of public interaction and to deliver the 3D sound experience in the field. The software display is not visible to participants.

This audio demonstration of Mosca involves the spatialisation of mono, stereo and B-format material. As well as using music and B-format recordings made by Iain Mott, it also contains 3 B-format recording by John Leonard of geese, a Chinook helicopter and of the Stanbrook Abbey Choir. These recording by John are presented here with kind permission. Other recorded sounds include those of monks in the Luohan Temple in Chongqing, China, frogs in São Jorge, Goiás in Brazil, a matchbox and an original recording of Sputnik 1 made by Roy Welch, reproduced with Roy's permission.

Please listen with headphones and ensure that the left and right channels are positioned correctly.

Chinese-language SuperCollider tutorial translations by Way Wang